Tuesday, April 8, 2008

The Feast of the Goat part1

I’ll just try to explore some idea’s I felt the novel presented.

The novel starts with Urania walking through the city which she had lived in as a child. She notices how the city has changed since she was a child. But she also notices her neighbourhood, along with other parts of the city really haven’t changed. This reminds me or Urania herself. She’s changed dramatically since that time, but that memory of what happened hasn’t gone anywhere.

“Animated chaos, the profound need in what was once your people, Urania, to stupefy themselves into not thinking and perhaps not even feeling.” Urania has been in America, working obsessively in order to escape her past, perhaps then, Llosa is saying that the entire country has been doing what it can to purge the awful memory as well. Urania has become inhuman in the sense that she’s like a working machine, and these people have become inhuman by giving up thinking altogether, by becoming simple instinctual creatures.

Or perhaps she’s saying that her people have been instinctual and unfeeling all along. The dictator was just an extension of this sort of people, and they allowed the dictator rule because they were stupid unfeeling animals. Maybe in this sense, they are all responsible for her being raped, and at the same time no one is responsible, what sense does it make to attribute moral qualities to non-rational creatures?

I think the 2nd person stuff in this story is some sort of split of Urania’s conscious. On page 4 the narrator speaks, and then right below, Urania bursts into laughter, as if shes responding to the voice talking to her. The voice and Urania are interacting. I can’t see it then as being Llosa’s voice. It could be him talking to her, but it would be very bizarre if she could hear him… So I’m going to suggest it’s coming from inside her head. Why does she have this personality? I imagine it’s some sort of self-defence mechanism that’s resulted from her trauma. The voice seems to advise her to turn around, to not go where she’s going ect. In sense then, she’s fighting against her self. To face her past she must confront and ignore this side of her that has been protecting her, but likely making her work far too hard, and avoid personal relationships(I seem to remember this.)

This defence mechanism has been alienating her from herself, and she’s got to regain her soul.

Monday, April 7, 2008

About the protest at the UBC trek park

It's not about Spanish literature... but it's about school. On Friday night a there was a protest, and some students started a fire on the sidewalk. When firemen tried to put it out, several of them got in the way and some were arrested. Following this, many of them surrounded the police car preventing it from moving. I want to consider the ethical the grounds for the students interference with the police and firemen.

I assume that the fire itself was a part of the protest, and the students interfered with the firemen/police because they believed that the police, in tampering with their fire, were also unfairly infringing on their right to protest. The fire was big, on busy walkway.
So it was a little dangerous.

But a little potential harm shouldn't be enough to limit the right to protest. Especially I imagine if the protest is designed to draw attention and prevent some far greater actual evil. So the questions I think are whether or not the importance of the protest justified the degree of potential danger, (which it probably did, the fire wasn’t that dangerous), and secondly we should consider to what extent the factor responsible for the danger was actually necessary for the protest. I don’t see how removing the fire would necessarily take away from their ability to express whatever their concerned about, and because of this I don’t think they had reasonable grounds to interfere with the police…

Wednesday, March 26, 2008

The power of love(I hope not to cliche)

I want to suggest that this book is about the power of love. I know this sounds cliché, but hopefully I can show you that it’s about “love” in really kind of a cool and complicated way.

“Love has made you free” pg 50. Bolivar set this girl free, but she didn’t accept. Instead she stayed where she was. Bolivar’s love had set her free, but her disinterest in freedom left her as chained as before. This I think is fair analogy for Bolivar’s entire conquest. He set all Latin America free, but they didn’t care enough about this freedom to maintain it.

I will argue that both the girls, and latin america's lack of love have made them essentially powerless, and human, where those who love immensely are all powerful.

When Bolivar’s wife died, and he committed himself to the people, he became unstoppable, if not invincible. When he gave his love to everyone, he really became god like. Before his wife dead however, he was just a regular guy. Later when he became disillusioned with his failures his health deteriorated. In a dream at one point, imagines a boy asking him if he loves him. He was scared that he no longer loved these people. Power might then be understand as something which is determined by the scope of our love. Bolivar who loved everyone was unstoppable, but as he became disillusioned(and felt less love for them perhaps), he began to waist away.

Pg 153 at the end of the first paragraph the general recalls a letter he wrote to Manuela saying “My love for you is steadfast”, in the next paragraph, the next line down in fact, we are told that how his dream began to brake away just as it was realized. I want to suggest the reason the empire collapsed is because he let himself love this women. In narrowing his love, he lost these godlike powers which had allowed him to bring together this country(and I do think there is something to say about magical realism here).

Poor Sucre, another unstoppable general was killed not long after letting him self love a women. Pg 141

Perhaps the reason the general deteriorated at such an incredible pace has something to do with an opposite kind of power of love. Where love makes you invincible, a broken heart destroys you, and he managed to stay alive for so long because every now and then, as that love which confers god like powers stirred.

Monday, March 10, 2008

The general in his Labyrinth with constipation

I have two things I would like talk about. This first has to do with constipation. I hope it doesn’t mean that I have some subconscious fixation on feces that everything seems to have do with poo in this novel.
Early in the novel we learn that the general suffers from constipation. Constipation of course is that condition where one has trouble passing. That is shit builds up inside you. I couldn’t help but see this as some kind of metaphor for the general. This is a depressed man. It’s suggested that he believes he will die alone in a bed without the gratitude of his country. He has mental brake downs every night. During these brake downs he rambles about how no one understood what he was doing. What I’m trying to say that this is a man intensely troubled by the failures in his life. And as constipated man has a certain build up inside himself, the general’s failures build up inside his mind, and result in terrible anxiety attacks. So this is man constipated by his failures.
Unfortunately constipation has more to offer us… A continent that’s on the verge of unification, that collapses from within? Columbia it’s self is unable to advance because the generals want to maintain control and don’t listen to sucre’s advice that they should separate from the government. Is this sort of internal turmoil that’s restricting Latin America from achieving it’s destiny something like constipation? I don’t know. I imagine if one had chronic constipation achieving goals would be difficult….
Thank god I’m done with that. My next issue has to with dying. The novel starts off with an image of the general as being dead. It turns out he’s only meditating, but the truth is that he is already mostly dead. We get this sense that he’s been dying for some time. Death isn’t a thing that hit’s a person all at once, but rather its this extremely slow occurrence.
Physically it’s as if he’s this dying rotting body. Corpses don’t fart, but still, it’s disgusting like a corpse. And people around him act like he’s dead. When he leaves the country his going away gathering is described as something which looks a lot like a funeral.
There is something more to this slow death. The country slowly dying? His dream? The possibility of for the realization of what he once thought was the destiny of America? I don’t know.
Sucre mentions how what starts off as wanting independence from Spain leads to other countries wanting independence from each other. That is, in a way the destiny the general had imagined was self defeating. The independence required to realize he dream would ultimately make it impossible to achieve. It seems like he had it for a moment, and then it broke away.
Maybe this is the generals life, and life in general. There is a point where the human body is growing new cells and is fresh and thriving, but ultimately it has to die away, everything reverses and you slowly die.

Sunday, February 17, 2008

President 2

It is the narrator who refers to people by the names of animals most often. The president or police certainly introduce the derogatory designation, but it’s the narrator who maintains it. I feel this suggests the absolute power words have to control. Not only are the people animals in the eyes of the president, but by the narrator referring with animal terminology a sense of universality is created. These people really are what the president says they are. And I suppose the same can be said for all the nick names, not simply the animal ones.

The order established by the president is real in a sense beyond simply the arbitrary stipulation which it actually is. Psychologically it’s real. Believing in this hierarchy anchors a false reality which justifies the presidents behaviour. The people are swine and turkey, what does it matter if they disappear, or are tortured. Or if you are a turkey being slaughtered is every day business. In sense then, words even have a truly absolute power. Not only are they used to carry out cruel orders, but they are capable of inverting reality. Making it such that the cruel orders are actually acceptable. Humans become animals, and what’s wrong becomes right.

And I think the craziness many people seem to suffering with might have to do with some struggle with the backwards reality that is being created for them, and the way they know things should really be.

Monday, February 4, 2008

The President 1

It’s amazing how quickly I can read through this in comparison to Facundo. Sarmiento was aware how his excessive detailing would effect the reader, how it would make ones mind wonder and make reading arduous. But I suppose he didn’t care whether the experience of reading was pleasurable… he had more important goals? Anyway, I think Miguel Angel Asturias must have cared, because I enjoy reading this…

For a moment I thought that in the prison the crazy homeless people were representations or maybe windows into the emotional state of the two non-crazy people. Like they are just acting out and personifying the emotion of the sane people…

The crazy is an abstraction he is a representation of the state of the society which is in constant fear, uncertainty and turmoil.
“I am the Rose-apple of the bird of Paradise, I am life, half my body is a lie, the other half is truth….I give to everyone one glass eye and one real eye; those who see with my real glass see because they dream, those who see with my real eye see because they are looking!"

I’m not sure if this makes sense, but I think the crazy is this Rose-apple, if you look at him one way he’s just crazy, if you look at him in another way, he’s a true reflection of the entire state of things. Something like that.

And when the Police officer kills crazy his friend looks into crazies eye and it nearly makes him go mad. I think it could mean that when he looked into crazies eye, as he was being killed he saw with “the real eye” and saw the truth in crazy which is a truth about the entire state of the society.

I don’t know if this makes sense now, but it seemed clear to my as I while I was reading….

Saturday, February 2, 2008

Facundo part two

This blog entry is very late. I’m sorry. I’ve been trying to take notes as I read, but it’s a method that seems to make reading an incredibly slow and time consuming activity. So, what can I say about Facundo… I have lots of interpretation type ideas. But really, I don’t think you’d be that interested in hearing them. The cool literary kind of idea’s Sarmiento throws at us are given so directly and repetitively that it doesn’t even feel like I’ve done any work. People are shaped by their environment; The environment determines the destiny of a people; Facundo is a tiger, and as a tiger he can keep even the most savage men in their place(the tiger is the one thing which Facundo feared); People under Rosas are animals. A relationship that differs greatly from the idea’s coming out of “civilized” Europe. People aren’t animals but rational creatures which are capable of choosing their own path in life, and governments ought to respect these principles of human nature. Treating a human as an animal would seem contradictory. Something like that. But my point is just that, I think Sarmiento pretty much straight up tell us everything I’ve just said(and more…), so I think I have to come up with something better(or at least something which isn’t so obvious).

I don’t like Sarmiento Comparing Facundo to Robs Pierre. I know very little of the man, except he was responsible for mass execution following the French revolution. Do they both kill a little excessively? Yea I guess so. But Facundo murdered to make people fear him and to feel powerful ect. I think it was very arbitrary kind of motivation for his mass murder. Robs Pierre wanted to wipe out possible threats to the new order, he did it for the sake of rational government and progress. Maybe Facundo and Rosas also committed mass murder for the sake of progress and rational liberal government. Sarmiento actually makes this point rather clearly, so yes it was necessary murder like that of Robs Pierre. Murder for the sake of progress. So maybe I change my mind.

It was boring, overly detailed, but Sarmiento admits this. So I can’t even talk about without it being trivial.

At some point in the book it talks about how Rosas is able to get us to believe things by repeating them over and over again. “Death to the Unitarists” and that kind of thing. Is Sarmiento using the tricks of the dictator on the reader? Is he trying to trick me into believing everything he has to say? Or did he do this on purpose, so I’ll see on two levels how this repetition technique works. I see the technique overtly described as a practice of Rosas, and then I see the technique actually put to used in the work itself…